суббота, 5 декабря 2015 г.

Vanity Fair, December 2015

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Фотограф: Чарли Грей.


ENG: There is a long tradition of films—ranging from Roman Holiday to The Prince and Me—about royals going incognito as “normal” civilians as they attempt to break free from their sheltered existences and get a taste of “the real world.” A Royal Night Out—which opened in the U.K. in May and makes its U.S. debut this month—takes that trope and applies it to none other than Queen Elizabeth, back when she was a teenage princess. The action takes place on V-E Night, in 1945, as World War II is coming to a close and the streets of London are packed with revelers. Princess Elizabeth (played by Dracula Untold’s Sarah Gadon) and her more freewheeling sister, Princess Margaret (The Diary of a Teenage Girl’s Bel Powley), get permission from their parents, the King and Queen of England, to join in the fun. Elizabeth and Margaret go off into the night—to encounter, of course, unexpected obstacles, romantic misadventures, and comic shenanigans. (The conceit of the film is loosely based on the actual happenings of that night, though most of the plot here—Elizabeth learns how to ride a bus! Margaret flirts with a naval officer!—is pure historical fiction.)

 The Canadian Gadon—who trained with a dialect coach and took Lindy Hop lessons to prepare for the role—said that the notion of playing a young Elizabeth was “extremely daunting.” Her nerves ended up serving her well, though. “Elizabeth in the film is on the precipice of becoming a queen and leading a nation,” she said. “So having the same kind of anxieties really helped me access that place.”
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среда, 2 декабря 2015 г.

SAG-AFTRA with Sarah Gadon Foundation's conversations series of 'A Royal Night Out'

RU: Сара посетила беседу-обсуждение фильма «Лондонские каникулы» с фондом SAG-AFTRA, первого декабря в Нью-Йорке. Мероприятие посвящено предстоящей премьере картины в США.
ENG: Sarah Gadon attends the SAG-AFTRA Foundation's conversations series of 'A Royal Night Out' at DGA Theater on December 1, 2015 in New York City
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HQ (via @hqutopia)
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воскресенье, 29 ноября 2015 г.

пятница, 27 ноября 2015 г.

New photoshoot and interview for Fashion Canada

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Обложка октябрьского выпуска журнала «Fashion Canada» и три снимка новой фотосессии, проведенной талантливым фотографом Максом Абадианом.

вторник, 24 ноября 2015 г.

Neorealism’s Closed Gates: The Women of Rome, Open City

Сара написала статью для издания «Cleo» - журналe о кино и феминизме. Ниже представлена статья на языке оригинала, перевод чуть позже.
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By: Sarah Gadon
 It was shortly after the Toronto International Film Festival this year when Kiva Reardon asked me if I had anything to contribute to this issue of cléo. I had just screened Sicario by Denis Villeneuve, a director with whom I’ve had the pleasure of working. There has been a lot of talk about Emily Blunt’s character in this film (she plays a law enforcement officer on the frontlines of the so-called war on drugs), and whether or not she attains any true agency. Often in cinema women hold contradictory roles fraught with tension— strong and self-possessed actors try to reconcile the archetypal images projected onto them by male directors. This made me think of Pina from Roberto Rossellini’s Rome, Open City (1945). Below is a condensed version of an essay I wrote while studying at the University of Toronto in the Cinema Studies department. It looks at the marginalized women of neorealism, but I think it pertains to many of the roles that women are given in contemporary cinema.

суббота, 21 ноября 2015 г.

Personal photos (november 2015)


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Лучший хэллоуиновский костюм с моим братом Джеймсом
UPD: Nov 18
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